|Research investigations with choreographer Nora Gibson and lighting designers Clifford Greer and Katinka Marac|
As artists, educators, administrators, advocates (for self, art, non-violence, education...), friends, family, and humans, our attention is being competed for, constantly. Decisions and reactions are made, enacted, and forgotten in seconds; buzzwords like "mindfulness" and "present-moment-ness" are ironic, common reminders on digital feeds and walls. Time is precious.
So, when I had the opportunity to be in a theatre with choreographer Nora Gibson (Philadelphia), and lighting designers Clifford Greer (Philadelphia), and Katinka Marac (the Netherlands) and research light, the experience was beyond luxurious.
|inside the Mandell Theater|
|A color similar to my puke yellow|
Later in the day, we worked with creating tableaus in color. I asked Clifford and Katinka if I could continue researching my puke yellow. The assignment was to see the color from the audience, sit with the color and our internal reactions, and then create a tableau within the color. After sitting with the image for a few more moments, Clifford or Katinka would change the color, essentially, changing the entire environment and meaning of the tableau.
|Dancers in my puke yellow - stepping out, it looked like a scene from Classical Greek architecture|
|Shifting the color to red changed the environment and the tone of the tableau.|
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Nora, Clifford, and Katinka had their own research experiences which I'm sure will come out in their own work. Check out more here:
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Later in the week, we improvised with light and movement. As an improvisor, I have worked with both light and music, taking my cues from their inspiration, but I've never worked with changing light. Clifford and Katinka had the freedom in their designs to respond to our movements and we had the freedom to make choices based on their designs. To add another layer, each designer was working with a set of lighting elements, as dancers may improvise within a set of pre-determined limitations. Two dancers were on stage and each was assigned to a lighting designer. The dancer onstage and the lighting designer would communicate with their elements. It was an option to pay attention to the other elements onstage (the light and the other dancer), but not a requirement of the exercise. Here's one of the results. I'm performing with Nora and responding to Clifford's design. Clifford was working with white light. Nora was working with Katinka; Katinka was working with red light.
Thank you, Nora, Clifford, and Katinka for this time to research and investigate!
|Investigations in red and white light.|