I've set the choreography for A Merry Death and Puppets at the Fairground. Both are interesting stories and reflections on life, love, death, and how we experience the space in between.
Wednesday, October 29, 2014
Upcoming theatre collaboration
I'm honored to be working with Dr. Nathan Thomas and the students of Alvernia University Theatre again. Thank you! It's been an exciting adventure watching these young artists grow and transform. Come see for yourself!
I've set the choreography for A Merry Death and Puppets at the Fairground. Both are interesting stories and reflections on life, love, death, and how we experience the space in between.
I've set the choreography for A Merry Death and Puppets at the Fairground. Both are interesting stories and reflections on life, love, death, and how we experience the space in between.
Wednesday, October 22, 2014
KYL/D travels to upstate NY
KYL/D "known for its virtuosity, poetic sensibility, and strong spiritual underpinnings" travels to upstate NY this week for a master class, lecture demonstration at Union College, and a performance at the Egg Theatre, at the Empire State Plaza Center for the Arts in Albany.
We've been digging into some rep and I have appreciated the opportunity to go re-investigate Kun-Yang's work with the company and re-approach some familiar performance material with a deeper understanding of his CHI Awareness Technique. Come stop by the performance, if you're in town!
Here's more info from the Union College paper: KYLD at Union College - article
We've been digging into some rep and I have appreciated the opportunity to go re-investigate Kun-Yang's work with the company and re-approach some familiar performance material with a deeper understanding of his CHI Awareness Technique. Come stop by the performance, if you're in town!
Here's more info from the Union College paper: KYLD at Union College - article
Monday, October 13, 2014
Dear Friend - thoughts for a young artist in challenging moments
Dear Friend...
You're not alone.
I write this in response to a recent email - from a former students, now friend - but also in response to an email I might have written as a young adult, person, and artist, myself.
The journey on which we engage after we leave the safety net of the undergraduate situation (or the high school situation, or the conservatory situation, or whatever seemly comfortable situation we had found ourselves in for a time) is scary. We find ourselves in uncharted waters often without a direct understanding of our "true north".
But your "true north" is there... just not in ways you/I/we might expect. It's in the journal entries from classes, from our past experiences, and in reminders from the Universe.
Some of my reminders:
"It's all about the search"
"Four rules: Show up. Pay attention. Tell the truth. Don't get attached to the results."
"DON'T GET ATTACHED TO THE RESULTS."
"Those festaus chainnes will certainly help you find your center and your spot!"
"I write this from a bus station so excuse any misspellings but I think you needed a response..."
Your reminders might come in small ways: dragonflies in the morning air; that same cardinal that chirps every morning (annoying at first, but comforting over time); and unexpected text, phone call, or facebook message just to say hello.
It may be difficult, and I realize I may be being vague, but continue the journey. Keep on the search. You're not alone.
As an artist, you see things differently. Feel things differently. And interact with the world - her people, her politics, and her energies - in a way that is unique and special and adds a much needed voice. You experience the world with a fresh perspective and although it's difficult (socially and financially) to embody YOU and your journey, you only know you. You can only be YOU.
I've told actors with whom I've worked - this is YOUR body. You can't not be you. Although you're telling someone else's story, you're telling it through your body and your perspective. Stay honest to that and the story will stay honest to your audience. This is true in theatre, and in dance, and in life.
As a performer, I am constantly seeking feedback and looking for confirmation or information on my ability to communicate. But I also need to trust my training and my craft and the constant search for improvement. (Again, in theatre, in dance, in art, and in life).
Dear Friend... although it may seem as such, you are not alone. There are many before you and many to come after. What is your journey? What is your search? What is in your heart? The answers may be challenging, but I encourage you to take the risk.
Thank you!
You're not alone.
I write this in response to a recent email - from a former students, now friend - but also in response to an email I might have written as a young adult, person, and artist, myself.
The journey on which we engage after we leave the safety net of the undergraduate situation (or the high school situation, or the conservatory situation, or whatever seemly comfortable situation we had found ourselves in for a time) is scary. We find ourselves in uncharted waters often without a direct understanding of our "true north".
But your "true north" is there... just not in ways you/I/we might expect. It's in the journal entries from classes, from our past experiences, and in reminders from the Universe.
Some of my reminders:
"It's all about the search"
"Four rules: Show up. Pay attention. Tell the truth. Don't get attached to the results."
"DON'T GET ATTACHED TO THE RESULTS."
"Those festaus chainnes will certainly help you find your center and your spot!"
"I write this from a bus station so excuse any misspellings but I think you needed a response..."
Your reminders might come in small ways: dragonflies in the morning air; that same cardinal that chirps every morning (annoying at first, but comforting over time); and unexpected text, phone call, or facebook message just to say hello.
It may be difficult, and I realize I may be being vague, but continue the journey. Keep on the search. You're not alone.
As an artist, you see things differently. Feel things differently. And interact with the world - her people, her politics, and her energies - in a way that is unique and special and adds a much needed voice. You experience the world with a fresh perspective and although it's difficult (socially and financially) to embody YOU and your journey, you only know you. You can only be YOU.
I've told actors with whom I've worked - this is YOUR body. You can't not be you. Although you're telling someone else's story, you're telling it through your body and your perspective. Stay honest to that and the story will stay honest to your audience. This is true in theatre, and in dance, and in life.
As a performer, I am constantly seeking feedback and looking for confirmation or information on my ability to communicate. But I also need to trust my training and my craft and the constant search for improvement. (Again, in theatre, in dance, in art, and in life).
Dear Friend... although it may seem as such, you are not alone. There are many before you and many to come after. What is your journey? What is your search? What is in your heart? The answers may be challenging, but I encourage you to take the risk.
Thank you!
Monday, October 6, 2014
KYL/D's 23rd InHale Performance Series
Here are the featured artists for KYL/D's 23rd InHale Performance Series!
Get your tickets Dance Box Office
Wednesday, October 1, 2014
Behind the scenes with Brian Mengini - Out of Darkness
Thank you, Brian, for creating and sharing this video. I didn't even realize you were shooting a video during our time together!
If you're not familiar with Brian, personally, but you're into the dance scene, you're familiar with his work. His artistry has been used in professional dance magazines like Dance Magazine, Dance Spirit, Pointe, and for promotional material for many studios, training companies, and colleges and universities. Check more out here.
A few days before this shoot, I had lost a dear friend and was trying to process. Kun-Yang often says to "Stop thinking with your head and move. Your body is smart." and, in processing this part of my journey, I needed to do just that.
Here's my earlier post about this process: Out of Darkness Exhibit post and reflection, August
I realize I said I'd be writing more, but sometimes, the movement speaks for itself. And sometimes, the movement is all that can be "said". Here's the video:
If you're not familiar with Brian, personally, but you're into the dance scene, you're familiar with his work. His artistry has been used in professional dance magazines like Dance Magazine, Dance Spirit, Pointe, and for promotional material for many studios, training companies, and colleges and universities. Check more out here.
A few days before this shoot, I had lost a dear friend and was trying to process. Kun-Yang often says to "Stop thinking with your head and move. Your body is smart." and, in processing this part of my journey, I needed to do just that.
Here's my earlier post about this process: Out of Darkness Exhibit post and reflection, August
I realize I said I'd be writing more, but sometimes, the movement speaks for itself. And sometimes, the movement is all that can be "said". Here's the video:
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