Veterans' Day 2018

Thank you. Welcome home.

"Happy" Veterans' Day.

I've struggled with writing and sharing this year, in part because of time (its hard to sit at a computer when there's a precious little one asking for my attention). And in part because I've been struggling with so many questions -

What is my role as a mother?
What is my role as a professional?
What is my role as an artist?
Where is our country going and how can I help shape my small piece of it?
Is it possible to protect, create safe spaces, and allow for vulnerability? How? Where is this appropriate?

In the past, I would listen to the trauma on NPR on my daily commute and walk into the studio with tears in my eyes and heart, but resolved that creating dance was a responsible answer. Through dance, I was honing my body and the body is a place of protest. The body is a place for joy. Dance making, performance, and viewing is a place where people come together. Art making is challenging and scary because it demands a sense of vulnerability and authenticity. It demands bowing to a personal truth and to something greater than the self.

Now, I want to hug my baby a little tighter and retreat to Daniel Tiger's Neighborhood. Because of my own fear? A change of my own perspective? A shift in our cultural narrative? Am I responding the way that those in the highest offices want me to respond by shrinking back and away?

I've often been reminded of the importance of taking a step away from the noise and being quiet with oneself, one's family, and one's truths. Perhaps this is one of those times.

But, to that end, I've also been researching more in the wee hours of the night, after Little has fallen back asleep.
What can I do?
What is my role?
What is my worth?

To those who hold the line, Thank you.
You model strength and courage in the face of doubt and chaos.

To those who love those who hold the line, thank you.
You, too, model strength and courage in the face of doubt, fear, and chaos.

I've found and am sharing a list of resources that speak directly to family members of veterans (in no particular order and without compensation... I don't receive anything for sharing these, other than the possible satisfaction of helping someone else):

Road Home Program
5 Tips for a Healthy Relationship with a Combat Veteran
Top 10 Things your Combat Veteran Wants You to Know
What its Like to Love a Combat Veteran
FamilyofAVet.com
What a Combat Veteran and His Wife Want You to Know about PTSD
Do You Love a Veteran?
Home/Front A New Musical

May you/ we find peace and reasons to dance.

Katherine Kiefer Stark exploring the silent trials and joys of being a family member of a veteran in my piece
"Unspoken: Everyday Hope". Pic by Bill Hebert

Evening of Duets

I've been hesitant to talk, privately and publicly, about my dreams and work for HomeFrontLines. 

I've been pushed and prodded by the Universe to get this project in motion and more information will be forthcoming. 

But for now...

I'm honored to be presenting part of the project at Philly's annual "An Evening of Duets" presented by Melissa Chisena. This particular program has a(n) unique line-up of artists from Philadelphia, NYC, and DC. (Grammar side note - an extensive Google search couldn't answer my inquiry of "does 'unique' need 'an' or 'a'?" to personal satisfaction... So, readers, you choose.)

Melissa has invited me to share "Unspoken". This is a new work featuring the artistry of Katherine Kiefer Stark and Melissa McCarten. With it, I'm still exploring what it means to be on the other side of the military and how families (more specifically women) negotiate persistence, courage, fear, isolation, and connection. 

Read more about the other companies in the Evening of Duets Press Release

Get your tickets here

And check out more information about the companies and the performance: Evening of Duets website

Thank you, Veterans!

Art has the power to heal.

To transform. 

To change. 

To challenge. 

Art has the power to build community and create shared experiences despite time, space, race, religion...

Thank you, Veterans, for protecting this right to make and experience art. In doing so, we are participating in one of the beautiful (and painful) ways we are human. 

"When Winston Churchill was asked to cut arts funding 

in favour of the war effort, 

he simply replied, 

'then what are we fighting for?'" 

Thank you!

Because music is such a powerful way to connect and share experiences, I'm including a few links to some of my personal favorites to celebrate and honor our Veterans. 

In no particular order... (click on the links to see the video. There are also links to purchase the songs on ITunes).

Carrington Kay's "Smokestack Ashes" 

Keith Urban's "For You" from the 'Act of Valor' soundtrack 

The Dixie Chicks' "Traveling Soldier" 

Toby Keith's "American Soldier"

Darryl Worley's "I Just Got Back from a War" 

I'm struggling with saying more... these songs and many others speak for themselves. 

Thank you for allowing us to be free and to create and challenge and question, Veterans. It is my hope and dream that we can create an American for you to be proud, of again. 

"Let America be American again..." ~Langston Hughes

The Protected - more questions

For the Dance Journal, Gregory King wrote, "Athletic and nuanced in its presentation, The Protected revealed King in positions of defiance and strength when she stood in an open stance with her chest listed and arms raised above her head and bent at the elbows. She was unapologetic in her demeanor as she overpowered the space with her deliberate musculature. King danced fearlessly..."

Read the whole review here: Artists at Home

A "performance" is like a "publication". What is shown (through the stage or through text) is fully developed, thought out, and researched. But the action of "putting it out there" (read: the work for performance and/or publication) also proves to be influential in the choreographer's/ author's research.

Because the creative process is organic, it's never "really" finished.
~Should the work be left to gestate, it might produce different results.
~Should the audience experience the work at a different time or place, he/she/they might have different interpretations of the work, based upon his/her/their lived experiences and what they bring to the work.
~What would happen if the creator could re-visit the work:
       ~ with his/her new lived and researched experiences?
        ~ with feedback from other professionals in the field?
         ~ with feedback from audiences who are not experienced in the field?

How do lived experiences change with time? How do the memories of lived experiences change with time?

A moment from "The Protected" caught by Bill Hebert.